通沪铁路开通运营在即,首趟动车检测列车上线“试跑”

Lord Shannon, for his patronage in the Commons 45,000

Mr. M'Cleland, ditto 3,300 Before entering Washington, General Ross sent in a flag of truceor, rather, he carried one himself, for he accompanied itto see that all was done that could be done to arrange terms, without further mischief or bloodshed. He demanded that all military stores should be delivered up, and that the other public property should be ransomed at a certain sum. But scarcely had they entered the place, with the flag of truce displayed, whenwith total disregard of all such customs established by civilised nations in warthe party was fired upon, and the horse of General Ross killed under him. There was nothing for it but to order the troops forward. The city was taken possession of, under strict orders to respect private property, and to destroy only that of the State. Under these orders, the Capitol, the President's house, the Senate-house, the House of Representatives, the Treasury, the War-office, the arsenal, the dockyard, and the ropewalk were given to the flames; the bridge over the Potomac, and some other public works, were blown up; a frigate on the stocks and some smaller craft were burnt. All was done that could be done by General Ross, and the officers under him, to protect private property; but the soldiers were so incensed at the treachery by which the Americans had sought to blow up the seamen, by the firing on the flag of truce, and the unprincipled manner in which the Americans had carried on the war in Canada, as well as by the insults and gasconading of the Americans on all occasions, that they could not be restrained from committing some excesses. Yet it may be said that never was the capital of a nation so easily taken, and never did the capital of a nation which had given so much irritating provocation escape with so little scathe. The following evening it was evacuated in perfect order, and without any enemy appearing to molest the retreat. On the 30th the troops were safely re-embarked.

SIR JOHN MOORE.

Meanwhile Lord Ashley, a staunch upholder of the Corn Laws, in a letter to his constituents of Dorsetshire declared his opinion "that the destiny of the Corn Laws was fixed," and that it would be wise to consider "how best to break the force of an inevitable blow." Mr. Bickham and Captain Estcott, also strong defenders of the landlords' monopoly, published their conviction that the Corn Laws were no longer tenable; and on the 22nd of November Lord John Russell, who was at Edinburgh, addressed a letter to the electors of the City of London, which was duly circulated throughout the kingdom, and which contained the following remarkable passages:

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Now followed a period in which many works were produced which were extremely popular in their day, but of which few now retain public appreciation. Amongst these none reached the same estimation as "Henry, Earl of Moreland: or, The Fool of Quality," by Henry Brooke. It was designed to show the folly and the artificial morale of the age, by presenting Henry as the model of direct and natural sentiments, for the indulgence of which he was thought a fool by the fashionable world. The early part of the work is admirable, and the boyhood of Henry is the obvious prototype of Day's "History of Sandford and Merton;" but as it advances it becomes utterly extravagant. Miss Frances Brooke, too, was the author of "Julia Mandeville" and other novels. Mrs. Charlotte Smith, long remembered for her harmonious sonnets, was the author of numerous novels, as "The Old Manor House," "Celestina," "Marchmont," etc.; there were also Mrs. Hannah More[175] with her "C?lebs in Search of a Wife;" Mrs. Hamilton with her "Agrippina;" Bage with his "Hermstrong: or, Man as he is Not;" "Monk" Lewis with his "Tales of Wonder" and his "Monk;" and Horace Walpole with his melodramatic romance of "The Castle of Otranto." But far beyond Walpole rose Mrs. Ann Radcliffe, the very queen of horror and wonder, in her strange, exciting tales of "The Sicilian Romance," "The Romance of the Forest," "The Mysteries of Udolpho," "The Italian," etc. No writer ever carried the powers of mystery, wonder, and suspense, to the same height, or so bewitched her age by them.

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